Historic Textiles, Papers, and Polymers in Museums

Historic Textiles, Papers, and Polymers in Museums

Author: Jeanette M. Cardamone

Publisher: Amer Chemical Society

ISBN: 0841236526

Category: Technology & Engineering

Page: 227

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Reviews the scientific methods used to examine artifacts and art objects in order to accurately assess their condition and prescribe care, exhibition and storage. The volume discusses the aging of natural and synthetic polymers such as wool, cotton, silk, paper, wood and polymers used in sculptures, photographs, film and other media. Important analytical methods such as size exclusion, chromatography, viscometry, and gel electrophoresis, are described in assessing damage in silk textiles. Microchemical manipulation, light microscopy and FTIR spectroscopy techniques are described in the analysis of historic cotton fibers, including those from a marine environment. This text also introduces laser surface profilometry as a novel technique for the examination of polymer surfaces. Also included is a comparison of natural and artificial aging effects of cellulose acetate artifacts as followed by FTIR spectroscopy and ion chromatography, and the applications of light microscopy and FTIR spectroscopy to distinguish between oil and acrylic painting media. All the information provided can be taken straight to the workplace and will be and extremely useful book for those working in the preservation of historic objects.
Historic Textiles, Papers, and Polymers in Museums
Language: en
Pages: 227
Authors: Jeanette M. Cardamone, Mary T. Baker
Categories: Technology & Engineering
Type: BOOK - Published: 2001 - Publisher: Amer Chemical Society

Reviews the scientific methods used to examine artifacts and art objects in order to accurately assess their condition and prescribe care, exhibition and storage. The volume discusses the aging of natural and synthetic polymers such as wool, cotton, silk, paper, wood and polymers used in sculptures, photographs, film and other
Museum Lighting
Language: en
Pages: 328
Authors: David Saunders
Categories: Art
Type: BOOK - Published: 2021-01-12 - Publisher: Getty Publications

Author David Saunders, former keeper of conservation and scientific research at the British Museum, explores how to balance the conflicting goals of visibility and preservation under a variety of conditions. Beginning with the science of how light, color, and vision function and interact, he proceeds to offer detailed studies of
Monitoring for Gaseous Pollutants in Museum Environments
Language: en
Pages: 160
Authors: Cecily M. Grzywacz
Categories: Art
Type: BOOK - Published: 2006-09-01 - Publisher: Getty Publications

With an emphasis on passive sampling, this volume focuses on the environmental monitoring for common gaseous pollutants. It offers an overview of the history and nature of pollutants of concern to museums and the challenges facing scientists, conservators, and managers seeking to develop target pollutant guidelines to protect cultural property.
Historical Perspectives on Preventive Conservation
Language: en
Pages: 426
Authors: Sarah Staniforth, Getty Conservation Institute
Categories: Art
Type: BOOK - Published: 2013 - Publisher: Getty Publications

The sixth volume in the Getty's Readings in Conservation series, which gathers more than 65 texts that have been influential in the development of thinking about the conservation of cultural heritage, from antiquity to the present day. The volume is divided into nine parts: Philosophies of Preventive Conservation, Keeping Things,
Managing Indoor Climate Risks in Museums
Language: en
Pages: 335
Authors: Bart Ankersmit, Marc H.L. Stappers
Categories: Technology & Engineering
Type: BOOK - Published: 2016-09-28 - Publisher: Springer

This book elaborates on different aspects of the decision making process concerning the management of climate risk in museums and historic houses. The goal of this publication is to assist collection managers and caretakers by providing information that will allow responsible decisions about the museum indoor climate to be made.