The Regulation and Reform of Music Criticism in Nineteenth-Century England

The Regulation and Reform of Music Criticism in Nineteenth-Century England

Author: Paul Watt

Publisher: Routledge

ISBN: 9781351974004

Category: Music

Page: 132

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Music criticism in England underwent profound change from the 1880s to the 1920s. It gave rise to ‘New criticism’ that aimed to be rational, impartial and intellectually authoritative. It was a break from the criticism of old: the work of the opinionated journalist who wrote descriptive concert reviews with invective, cliché, bias and bombast. Critics such as Ernest Newman (1868–1959), John F. Runciman (1866–1916) and Michel D. Calvocoressi (1877–1944) fostered this new school and wrote extensively of their aspirations for musical criticism in their own times and for the future. This book charts the genesis of this new wave of musical criticism that sought to regulate and reform the profession of music critic. Alongside the establishment of principles, training manuals and schools for critics, hundreds of journal articles and dozens of books were written that encouraged new criticism, which also had a bearing on scholarly writing in biography, aesthetics and history. The Regulation and Reform of Music Criticism in Nineteenth-Century England considers the influence and advocacy of individual critics and the role that institutions, such as the Musical Association and the Musical Times, played in this period of change. The book also explores the impact that French and German writers had on their English counterparts, demonstrating the internationalization of critical thought of the period.
Nineteenth-Century Music Criticism
Language: de
Pages: 552
Authors: Teresa Cascudo García-Villaraco
Categories: History
Type: BOOK - Published: 2017-07-24 - Publisher: Music, Criticism & Politics

The long nineteenth century encompasses what has been described by some authors as newspaper civilization. Music was fundamental for many men and women who lived during that century. Not surprisingly, at this time, music was a common theme in the press. On the one hand, news, chronicles and criticism played
Music Criticism in Nineteenth-Century France
Language: en
Pages: 301
Authors: Katharine Ellis
Categories: Music
Type: BOOK - Published: 2007-05-31 - Publisher: Cambridge University Press

This book focuses on the musical writings in the daily and periodical press in France during the nineteenth century. It covers the criticism of a wide range of Western music, explaining how composers such as Bach and Beethoven secured a permanent place in the repertory. Dr. Ellis analyzes the process
The Regulation and Reform of Music Criticism in Nineteenth-Century England
Language: en
Pages: 132
Authors: Paul Watt
Categories: Music
Type: BOOK - Published: 2017-11-22 - Publisher: Routledge

Music criticism in England underwent profound change from the 1880s to the 1920s. It gave rise to ‘New criticism’ that aimed to be rational, impartial and intellectually authoritative. It was a break from the criticism of old: the work of the opinionated journalist who wrote descriptive concert reviews with invective,
Fantasies of Improvisation
Language: en
Pages: 312
Authors: Dana Gooley
Categories: Music
Type: BOOK - Published: 2018 - Publisher: Oxford University Press

The first history of keyboard improvisation in European music in the postclassical and romantic periods, Fantasies of Improvisation: Free Playing in Nineteenth-Century Music documents practices of improvisation on the piano and the organ, with a particular emphasis on free fantasies and other forms of free playing. Case studies of performers
German Music Criticism in the Late Eighteenth Century
Language: en
Pages: 253
Authors: Mary Sue Morrow, Professor of Musicology Mary Sue Morrow, Morrow Mary Sue
Categories: Music
Type: BOOK - Published: 1997-09-18 - Publisher: Cambridge University Press

Derives a practical aesthetic for German instrumental music during the late eighteenth century, from reviews of printed instrumental works.