Satire as the Comic Public Sphere

Satire as the Comic Public Sphere

Author: James E. Caron

Publisher: Penn State Press

ISBN: 9780271090337

Category: Humor

Page: 284

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Stephen Colbert, Samantha Bee, John Oliver, and Jimmy Kimmel—these comedians are household names whose satirical takes on politics, the news, and current events receive some of the highest ratings on television. In this book, James E. Caron examines these and other satirists through the lenses of humor studies, cultural theory, and rhetorical and social philosophy, arriving at a new definition of the comic art form. Tracing the history of modern satire from its roots in the Enlightenment values of rational debate, evidence, facts, accountability, and transparency, Caron identifies a new genre: “truthiness satire.” He shows how satirists such as Colbert, Bee, Oliver, and Kimmel—along with writers like Charles Pierce and Jack Shafer—rely on shared values and on the postmodern aesthetics of irony and affect to foster engagement within the comic public sphere that satire creates. Using case studies of bits, parodies, and routines, Caron reveals a remarkable process: when evidence-based news reporting collides with a discursive space asserting alternative facts, the satiric laughter that erupts can move the audience toward reflection and possibly even action as the body politic in the public sphere. With rigor, humor, and insight, Caron shows that truthiness satire pushes back against fake news and biased reporting and that the satirist today is at heart a citizen, albeit a seemingly silly one. This book will appeal to anyone interested in and concerned about public discourse in the current era, especially researchers in media studies, communication studies, political science, and literary and cultural studies.
Satire as the Comic Public Sphere
Language: en
Pages: 284
Authors: James E. Caron
Categories: Humor
Type: BOOK - Published: 2021-04-16 - Publisher: Penn State Press

Stephen Colbert, Samantha Bee, John Oliver, and Jimmy Kimmel—these comedians are household names whose satirical takes on politics, the news, and current events receive some of the highest ratings on television. In this book, James E. Caron examines these and other satirists through the lenses of humor studies, cultural theory,
Satire as the Comic Public Sphere
Language: en
Pages: 284
Authors: James E. Caron
Categories: Humor
Type: BOOK - Published: 2021-04-25 - Publisher: Penn State Press

Stephen Colbert, Samantha Bee, John Oliver, and Jimmy Kimmel—these comedians are household names whose satirical takes on politics, the news, and current events receive some of the highest ratings on television. In this book, James E. Caron examines these and other satirists through the lenses of humor studies, cultural theory,
Rhetoric, Humor, and the Public Sphere
Language: en
Pages: 178
Authors: Elizabeth Benacka
Categories: Social Science
Type: BOOK - Published: 2016-11-02 - Publisher: Rowman & Littlefield

Rhetoric, Humor, and the Public Sphere: From Socrates to Stephen Colbert investigates classical and contemporary understandings of satire, parody, and irony, and how these genres function within a deliberative democracy. Elizabeth Benacka examines the rhetorical history, theorization, and practice of humor spanning from ancient Greece and Rome to the contemporary
Narratives, Politics, and the Public Sphere
Language: en
Pages: 283
Authors: Agnes S.M. Ku
Categories: Social Science
Type: BOOK - Published: 2018-08-16 - Publisher: Routledge

Published in 1999, the book invites readers to rethink about the contemporary form of politics in terms of the cultural and narrative logics of public discourse. The author proposes that the notions of 'public' and 'narrative' are central to understanding the discursive formation of public opinion. Incorporating a reformulated conception
Satire, History, Novel
Language: en
Pages: 356
Authors: Frank Palmeri
Categories: Literary Criticism
Type: BOOK - Published: 2003 - Publisher: University of Delaware Press

Narrative satire was one of the dominant literary forms of the 18th century, but it came to be displaced by novelistic and historical forms of narrative. Palmeri (English, U. of Miami) argues that these new forms defined themselves in opposition to satire, but also by appropriating elements of satir