Shakespearean Metadrama

Shakespearean Metadrama

Author: James L. Calderwood

Publisher: U of Minnesota Press

ISBN: 9780816657179

Category: Literary Criticism

Page: 204

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Shakespearean Metadrama was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. In a new approach to Shakespeare criticism, the author interprets five of Shakespeare's early plays as metadramas, dramas that are not only about the various moral, social, political, and other thematic issues with which critics have so long been concerned but also about the plays themselves. Professor Calderwood demonstrates that in these five plays Shakespeare writes about his dramatic art -- its nature, its media of language and theater, its generic forms and conventions, its relationship to truth and the social order. In an introductory chapter the author explains his theory of metadrama, placing it in a general critical context as well as in the specific framework of Shakespeare's plays. He distinguishes between the meaning of metadrama and the similar terms "metaplay" and "metatheare." He points out that the dominant metadramatic aspect of the five plays under study is the interplay of language and action in drama. A separate chapter is devoted to the interpretation of each of the plays. Professor Calderwood is aware that in presenting his critical theory and interpretations he may be met with skepticism by other scholars and critics. He anticipates such a situation in the introduction: "To the critic trying on introductory styles for a book on Shakespearean metadrama," he writes, "the plight of Falstaff at the Boar's Head Tavern comes all to readily to mind. 'What trick," he must ask himself, 'what device, what starting-hole, canst thou now find out to hide thee from this open and apparent shame?'"
Shakespearean Metadrama
Language: en
Pages: 204
Authors: James L. Calderwood
Categories: Literary Criticism
Type: BOOK - Published: 1971-03-10 - Publisher: U of Minnesota Press

Shakespearean Metadrama was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. In a new approach to Shakespeare criticism, the author interprets five of Shakespeare's early plays as metadramas, dramas
Metadrama in Shakespeare's Henriad
Language: en
Pages: 225
Authors: James L. Calderwood
Categories: Literary Criticism
Type: BOOK - Published: 1979-01-01 - Publisher: Univ of California Press

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Metadrama and the Informer in Shakespeare and Jonson
Language: en
Pages: 240
Authors: Bill Angus
Categories: Literary Criticism
Type: BOOK - Published: 2016-09-20 - Publisher: Edinburgh University Press

Have you ever wondered what was really going on in the inner-plays, secret overhearing, and tacit observations of early modern drama? Taking on the shadowy figure of the early modern informer, this book argues that far more than mere artistic experimentation is happening here. In case studies of metadramatic plays,
Shakespearean Metadrama
Language: en
Pages: 80
Authors: John W. Blanspied, Modern Language Association of America
Categories: Metalanguage
Type: BOOK - Published: 1979* - Publisher:

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Shakespeare’s Dramatic Transactions
Language: en
Pages: 244
Authors: Michael Mooney
Categories: Drama
Type: BOOK - Published: 1990-07-31 - Publisher: Duke University Press

Shakespeare’s Dramatic Transactions uses conventions of performance criticism—staging and theatrical presentation—to analyze seven major Shakespearean tragedies: Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Richard II, and Richard III. As scholars and readers increasingly question the theoretical models used to describe the concepts of “mimesis” and “representation,” this book describes